Ferriday's

Ferriday's very picturesqueness and artistry convinced her now that he was not quite the gentleman.

We Can't Have Everything Rupert Hughes 1914

Kedzie poked at him Ferriday's letter of introduction addressed to

We Can't Have Everything Rupert Hughes 1914

She would have been excited enough if she had known that the pictures in which she played a small part were being run off in the projection-room at the studio for Mr. Ferriday's benefit.

We Can't Have Everything Rupert Hughes 1914

With that Ferriday released the waiter, who hurried away, hoping that Ferriday's affectations included extravagant tips.

We Can't Have Everything Rupert Hughes 1914

That would have been the destruction of Kedzie if there had not been the counter-weight of conceit in Ferriday's soul, for at those times he would sigh to himself or aloud:

We Can't Have Everything Rupert Hughes 1914

There was a quality in her work that surpassed Ferriday's expectations and made her pantomime singularly legible.

We Can't Have Everything Rupert Hughes 1914

But then women were often like that before Ferriday's genius.

We Can't Have Everything Rupert Hughes 1914

In the dark she clutched Ferriday's arm so tightly that he ouched.

We Can't Have Everything Rupert Hughes 1914

It was the first time Dyckman ever heard Ferriday's voice, and it puzzled him as it cried:

We Can't Have Everything Rupert Hughes 1914

Ferriday's chauffeur was waiting to take her home.

We Can't Have Everything Rupert Hughes 1914