Herder's

Herder's turn to the fragment was motivated by a wide-spanning skepticism with regard to the idea of a totalizing or teleological system of reason.

Georg Friedrich Philipp von Hardenberg [Novalis] Gjesdal, Kristin 2009

Novalis makes frequent references to Herder's work and person.

Georg Friedrich Philipp von Hardenberg [Novalis] Gjesdal, Kristin 2009

As a young adult well, even now, I loved Nerf Herder's music.

In Honor of the new Land of the Lost: She's a Sleestak Neth 2009

Herder's essay that shows how its subtle and paradoxical method of composition clearly prefigures the Romantic poets 'playful deconstruction of the presumably irreducible identity/difference antinomy.

Notes on 'Kafka and the Coincidence of Opposites' 2007

As a young adult well, even now, I loved Nerf Herder's music.

Archive 2009-02-01 Neth 2009

There is also occasionally a counterstrand in Herder's works in which he argues for a deeper unity in standards of beauty across historical periods and cultures (e.g. in the Critical Forests).

Johann Gottfried von Herder Forster, Michael 2007

(Ch. 8 on Herder's political philosophy is excellent.)

Johann Gottfried von Herder Forster, Michael 2007

There are two main German editions of Herder's works:

Johann Gottfried von Herder Forster, Michael 2007

Hamann only much later and under Herder's influence.

Johann Gottfried von Herder Forster, Michael 2007

Herder's overall thesis of the mind's unity rests on three more specific doctrines concerning intimate mutual involvements between mental faculties, and malfunctions that arise from striving against these, doctrines which are in large part empirically motivated and hence lend the overall thesis a sort of empirical basis:

Johann Gottfried von Herder Forster, Michael 2007