Salvator

In honor of the "Salvator" most breweries christen their dopplebocks with names ending in "-ator" e.g., Ale Asylum's Bamboozleator.

Archive 2008-03-01 2008

In honor of the "Salvator" most breweries christen their dopplebocks with names ending in "-ator" e.g., Ale Asylum's Bamboozleator.

Hey Barkeep! What's With Bocks In the Spring? 2008

John XXII, by the Bull "Salvator" (25 June, 1317), separated from the ecclesiastical province of Narbonne, the See of Toulouse, made it an archiepiscopal see, and gave it as suffragans four dioceses created within its territory: Montauban, St. - Papoul, Rieux, Lombez.

The Catholic Encyclopedia, Volume 10: Mass Music-Newman 1840-1916 1913

The scene was such as Salvator might have painted: wild blocks of stone heaped under walnut-shade; here the white plunge of water down a wall of granite, and there, in bluer depths, a charcoal burner's hut sending up its spiral of smoke to the dark raftering of branches.

The Valley of Decision Edith Wharton 1899

Waverley prepared himself to meet a stern, gigantic, ferocious figure, such as Salvator would have chosen to be the central object of a group of banditti.

The Waverley 1877

From such accompaniments, Waverley prepared himself to meet a stern, gigantic, ferocious figure, such as Salvator would have chosen to be the central object of a group of banditti.

Waverley — Complete Walter Scott 1801

From such accompaniments, Waverley prepared himself to meet a stern, gigantic, ferocious figure, such as Salvator would have chosen to be the central object of a group of banditti.

Waverley: or, 'Tis sixty years since Walter Scott 1801

From such accompaniments, Waverley prepared himself to meet a stern, gigantic, ferocious figure, such as Salvator would have chosen to be the central object of a group of banditti.

Waverley — Volume 1 Walter Scott 1801

"I wouldn't back 'Salvator' among a lot of cart horses at that price," commented Dixon; "leave it alone, an 'we'll go for the Stake.

Thoroughbreds William Alexander Fraser 1896

The exhibition accepts as Leonardo's the Hermitage's glowing "The Madonna Litta" (circa 1491-5); his work on the Duke of Buccleuch's "The Madonna of the Yarnwinder" (circa 1499 onward); and the sadly over-cleaned "Christ as Salvator Mundi" of the same date.

An Exhibition of a Lifetime Paul Levy 2011