abstractionists

Why is it we can trust, feel a level of comfort with the realists, the Wyeths, Charles Peterson, and even the abstractionists, Picasso and Rothko?

readers respond | wyeth & peterson « poetry dispatch & other notes from the underground 2009

His passing is a significant loss because he was such a famous exponent of that tradition, rivaling in the popular mind the fame of our leading abstractionists and maintaining thereby the legitimacy of his mode.

wyeth & peterson | the local artist « poetry dispatch & other notes from the underground 2009

I've heard that there are a number of artists who feel they should have been included, but in general it's a carefully selected and well-defined collection, starting with a wonderful gallery covering the work of the major hard-edge abstractionists: John McLaughlin, Lorser Feitelson, Helen Lundeberg, Karl Benjamin and others.

Peter Clothier: One Saturday: Art/L.A. Peter Clothier 2011

Taking the geometric abstraction of Frank Stella and Bridget Riley as its guiding aesthetic, it reveals a host of maverick abstractionists working away through an era of postmodernist multimedia.

This week's new exhibitions 2012

I've heard that there are a number of artists who feel they should have been included, but in general it's a carefully selected and well-defined collection, starting with a wonderful gallery covering the work of the major hard-edge abstractionists: John McLaughlin, Lorser Feitelson, Helen Lundeberg, Karl Benjamin and others.

Peter Clothier: One Saturday: Art/L.A. Peter Clothier 2011

Many artists, past and present, male and female, emerging and successful, realists and abstractionists, have found the process of calling their paintings finished quite troublesome.

Daniel Grant: Calling a Painting 'Done' Daniel Grant 2011

A magnificent yellow and blue abstraction titled simply "January, 1971" it more than held its own among the top flight works by Still, Rothko, Pollock and other postwar abstractionists.

John Seed: Frank Lobdell: "Nothing Worth Anything Is Easy" John Seed 2011

A magnificent yellow and blue abstraction titled simply "January, 1971" it more than held its own among the top flight works by Still, Rothko, Pollock and other postwar abstractionists.

John Seed: Frank Lobdell: "Nothing Worth Anything Is Easy" John Seed 2011

Many artists, past and present, male and female, emerging and successful, realists and abstractionists, have found the process of calling their paintings finished quite troublesome.

Daniel Grant: Calling a Painting 'Done' Daniel Grant 2011

Those six painters, all like-minded abstractionists, are the Washington artists most visibly identified with the Color Field movement.

Paul Reed, the last of the Washington Color School, is still painting 2011