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Examples

  • Meanwhile, bolstering, gilding and bumphing that would be considered extraneous by a worldblazing writer may be valued for enriching the immersive experience.

    Notes on Worldscape Hal Duncan 2009

  • Where gilding and bumphing are employed, we may see a deliberate thematic import to these, with the former used to imbue the worldscape with a relevant aesthetic, and the latter used as intratextual commentary.

    Notes on Worldscape Hal Duncan 2009

  • Worldbuilding: The ambiguity in the term "worldbuilding" resides in the fact that it was coined for the craft of creating ordinate realities in the manner of Tolkien's highly methodical "subcreation," largely a matter of blocking, bolstering, gilding and bumphing, but has come to be applied not just to worldscapes generated by worldblazing but to any sufficiently foreign and/or complex fictive milieu, even to milieus that are largely mimetic.

    Notes on Worldscape Hal Duncan 2009

  • Worldbuilding: The ambiguity in the term "worldbuilding" resides in the fact that it was coined for the craft of creating ordinate realities in the manner of Tolkien's highly methodical "subcreation," largely a matter of blocking, bolstering, gilding and bumphing, but has come to be applied not just to worldscapes generated by worldblazing but to any sufficiently foreign and/or complex fictive milieu, even to milieus that are largely mimetic.

    Archive 2009-12-01 Hal Duncan 2009

  • Meanwhile, bolstering, gilding and bumphing that would be considered extraneous by a worldblazing writer may be valued for enriching the immersive experience.

    Archive 2009-12-01 Hal Duncan 2009

  • Where gilding and bumphing are employed, we may see a deliberate thematic import to these, with the former used to imbue the worldscape with a relevant aesthetic, and the latter used as intratextual commentary.

    Archive 2009-12-01 Hal Duncan 2009

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