Definitions

from The American Heritage® Dictionary of the English Language, 5th Edition.

  • noun A short aria that has a repetitive rhythm and a simple style.
  • noun The final section of an aria or duet marked by a quick uniform rhythm.

from The Century Dictionary.

  • noun A song in rondo form, with variations, often having an accompaniment in triplet rhythm, intended to imitate the footfalls of a cantering horse.

from Wiktionary, Creative Commons Attribution/Share-Alike License.

  • noun A short, rhythmically repetitive aria.

Etymologies

from The American Heritage® Dictionary of the English Language, 4th Edition

[Italian, alteration of coboletta, stanza, diminutive of cobola, cobla, from Old Provençal cobla, from Latin cōpula, link.]

from Wiktionary, Creative Commons Attribution/Share-Alike License

An Italian variant of coboletta, diminutive of cobola ("stanza, couplet"), from Old Provençal cobla, from Latin copula.

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Examples

  • Her observations about art are generally trite and when she does say something more specific, such as "an aria without a cabaletta is like sex without an orgasm", one is more stunned by the apercu's vulgarity than its accuracy.

    Master Class – review 2012

  • Our natural instinct is to analyze that as a homologous variation — Joplin must have got it from somewhere, perhaps the cavatina-cabaletta sequence of Italian opera, or perhaps Rossini overtures, or perhaps similarly obsessive passages in Chopin or Schumann.

    Categorical denials Matthew Guerrieri 2008

  • Our natural instinct is to analyze that as a homologous variation — Joplin must have got it from somewhere, perhaps the cavatina-cabaletta sequence of Italian opera, or perhaps Rossini overtures, or perhaps similarly obsessive passages in Chopin or Schumann.

    Archive 2008-07-01 Matthew Guerrieri 2008

  • It's the prime masterpiece of the period where Verdi went from a talented master of the Italian operatic tradition to a genius of reinvention: Verdi saw that the conventions of bel canto — the coloratura decoration, the steady build from recitative to cavatina to cabaletta, the diagetic justification for dance and popular music — had matured to the point that their mere presence could have dramatic content above and beyond the story.

    Archive 2008-03-01 Matthew Guerrieri 2008

  • It's the prime masterpiece of the period where Verdi went from a talented master of the Italian operatic tradition to a genius of reinvention: Verdi saw that the conventions of bel canto — the coloratura decoration, the steady build from recitative to cavatina to cabaletta, the diagetic justification for dance and popular music — had matured to the point that their mere presence could have dramatic content above and beyond the story.

    Pretty Woman Matthew Guerrieri 2008

  • Dr. Kissinger apparently doesn't appreciate the considerably rousing power of the traditional cantilena-cabaletta sequence of Italian opera.

    Unlikely music critic of the day Matthew Guerrieri 2007

  • Dr. Kissinger apparently doesn't appreciate the considerably rousing power of the traditional cantilena-cabaletta sequence of Italian opera.

    Archive 2007-08-01 Matthew Guerrieri 2007

  • She sang the cabaletta "Di tale amor" with good trills and clean runs, though at a moderate tempo.

    Archive 2008-07-01 Lisa Hirsch 2008

  • She sang the cabaletta "Di tale amor" with good trills and clean runs, though at a moderate tempo.

    Gypsies, Nobles, and Nuns Lisa Hirsch 2008

  • Madame Viardot-Garcia, finding the phrase of the cabaletta in the aria

    Style in Singing W. E. Haslam

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