cartellino

Before, however, looking at internal evidence to prove this contention, we may note that another example of the same composition exists in the Gallery of Rovigo, identical save for a cartellino on which is inscribed TITIANVS.

Giorgione Cook, Herbert 1904

That the Rovigo work is posterior to the Vienna one is, I think, patent to anyone conversant with Venetian painting, but why should the one bear Titian's name on an apparently authentic cartellino, and not the other?

Giorgione Cook, Herbert 1904

The cartellino is entirely out of perspective with the marble floor to which it is supposed to adhere.

The Earlier Work of Titian Phillips, Claude 1897

[13] The inscription on a cartellino at the base of the picture,

The Earlier Work of Titian Phillips, Claude 1897

In spite of the signature inscribed in the cartellino near the picture's lower margin, the attribution of the Städel's half-length figure of Saint Mark the Evangelist framed by a stone window, dating from 1450, had long been cast into doubt.

unknown title 2009