choreographer's

A spokeswoman for the museum, Elyse Topalian, noted that the Met was receptive to the choreographer's plan for a performance that would relate to the works of art—despite the dancers' proximity to the sculptures.

At the Met, the Art Moves Pia Catton 2011

His collaborator on the design of "Sutra," British artist Antony Gormley, described the choreographer's work as emerging from a curiosity that takes him places "that a ballet or modern-dance person would never have been able to nose out, resulting in bodily expressions without the syntax of historical dance."

Moving Toward the Modern Stuart Isacoff 2010

Other choreographer's bring these dances to a turn of elegance as good as make them emotionally compelling.

Archive 2009-12-01 admin 2009

Lined with windows and dotted with work by artists such as Augustus Saint-Gaudens and Hiram Powers, the Engelhard Court was the choreographer's choice for "Still Moving" because the stationary figures enhance the contrast between stillness and movement.

At the Met, the Art Moves Pia Catton 2011

But the best of these portrait films are surely the two works Dean made with Merce Cunningham in the last years of the choreographer's life.

Tacita Dean at the Common Guild - review 2011

Other choreographer's bring these dances to a turn of elegance as good as make them emotionally compelling.

SYTYCD6 - The Critical Hour admin 2009

At the Mark Morris Dance Center in Brooklyn through Sunday, the Mark Morris Dance Group is presenting a triple bill of the choreographer's most recent dances in the center's 140-seat James and Martha Duffy Performance Space.

Where Dancers and Patrons Meet for a Duet Robert Greskovic 2011

The dancers in Hofesh Shechter's company are excellent performers but they're also closely involved in the creation of their choreographer's material, and this mixed bill showcases the work of five Shechter dancers as they take on the role of being choreographer themselves.

This week's new dance 2011

This is the 25th year of Stephen Petronio Company (that cropping of the definite article is this year's annoying arts-establishment tic), and while this piece falls flat it would be graceless to fail to acknowledge the scale of the choreographer's achievement.

Stephen Petronio Company; Onegin – review Luke Jennings 2010

While selective excerpts of the four works throughout "Pina" amount to a welcome addition to Bausch's thin screen catalog, Mr. Wenders's focus on the performers is an even rarer glimpse into the choreographer's world.

A Posthumous Spotlight on a Force of Nature Robert Greskovic 2011