films

While diversity in films is valued, the unexpected is commended, it is structure and unity that are most cherished and what produces a festival's unique personality.

Stewart Nusbaumer: Royal Flush Festival: One of a Strange Kind Stewart Nusbaumer 2010

While diversity in films is valued, the unexpected is commended, it is structure and unity that are most cherished and what produces a festival's unique personality.

Stewart Nusbaumer: Royal Flush Festival: One of a Strange Kind Stewart Nusbaumer 2010

While diversity in films is valued, the unexpected is commended, it is structure and unity that are most cherished and what produces a festival's unique personality.

Stewart Nusbaumer: Royal Flush Festival: One of a Strange Kind Stewart Nusbaumer 2010

Americans have a lot of different accents too, but the one we hear most often in films is their idea of a non-accent.

Superhero Nation: how to write superhero novels and comic books » Open Writing Forum 2009

Yes, I know what they actually do in films is unrealistic, but the point was that sometimes people really did hitch the reins to hitching posts (apparently the Halter Hitch is more secure).

GHOULS • by Megan Arkenberg 2008

The use of colour in films is a difficult subject – just because they can mean so many things both culturally and contextually – and this film shows us just how complex and multi-layered are the meanings of colours can be.

The Pleasantville Lesson Plan « We Don't Count Your Own Visits To Your Blog 2006

However, there are plenty of gay actors who could do that as well, and it's slightly ironic that the liberation of gay characters in films is being done by guys who are, more's the pity, hopelessly straight.

November 2005 2005

States producer Marc Platt, One of the things Kevin does so well in his films is the relationships, particularly between the guys.

30+ High Resolution Photos from Kevin Smith’s Cop Out | /Film 2010

Running through all his films is a theme that African-American community needs to self-improve and that it is no longer just white people keeping them down.

Interview: Edward Norton Discusses the Thoughtful Summer Thriller Leaves of Grass, His Goals as an Actor, and the Legacies of Fight Club and Spike Lee | /Film 2010

His Village Voice – circa 1975 politics, which make parts of the film seem as dated as the most pretentious Lina Wertmüller, are at once sentimental and punitively moralistic — as if continuing in your bourgeois existence after watching one of his films is a form of ethical suicide.

He Saw It Coming 2008