glass-stainer

As both a glass-painter and a glass-stainer, Peckitt used color in different ways to create designs. reference The glass base or substrate could be clear or colored; other, different-colored glasses could be fired onto it.

The Creation of Color in Eighteenth-Century Europe 2006

Amid renewed thanks and with promises to come again, the two squires bade their leave of the old Italian glass-stainer and his daughter.

The White Company Doyle, Arthur Conan, Sir, 1859-1930 1902

Amid renewed thanks and with promises to come again, the two squires bade their leave of the old Italian glass-stainer and his daughter.

The White Company Doyle, Arthur Conan, Sir, 1859-1930 1902

Amid renewed thanks and with promises to come again, the two squires bade their leave of the old Italian glass-stainer and his daughter.

The White Company Doyle, Arthur Conan, Sir, 1859-1930 1902

IN one of the windows of the cathedral at Ulm a mediaeval glass-stainer has represented the Almighty as busily engaged in creating the animals, and there has just left the divine hands an elephant fully accoutred, with armour, harness, and housings, ready-for war.

A History of the warfare of Science with Theology in Christendom 1896

In these representations the painter and the glass-stainer vied with the sculptor.

A History of the warfare of Science with Theology in Christendom 1896

Amid renewed thanks and with promises to come again, the two squires bade their leave of the old Italian glass-stainer and his daughter.

The White Company Arthur Conan Doyle 1894

Amid renewed thanks and with promises to come again, the two squires bade their leave of the old Italian glass-stainer and his daughter.

The White Company 1890

Walpole was a prose paper entitled "T.e Ryse of Peyncteynge yn Englande, wroten by T. Rowleie, 1469, for Mastre Canynge," and containing _inter alia_, the following extraordinary "anecdote of painting" about Afflem, an Anglo-Saxon glass-stainer of Edmond's reign who was taken prisoner by the Danes.

A History of English Romanticism in the Eighteenth Century 1886

The nymph in furred raiment who seduces Hylas is conceived frankly in the spirit of Teutonic romance; her song is of a garden [226] enclosed, such as that with which the old church glass-stainer surrounds the mystic bride of the song of songs.

Aesthetic Poetry Walter Pater 1866