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Examples

  • Ok, è solo una scusa per linkare qualche altro corpo ignudo

    No Fat Clips!!! : Sidaction: Hourglass 2007

  • It was always clever, but often artificial; like the composition of a Renaissance painter who inserts his bel corpo ignudo to catch the eye.

    The Life of John Ruskin Collingwood, W G 1911

  • He describes its subject as “un pastore ignudo ed una forese chi li porge certi flauti per che suoni.”

    The Earlier Work of Titian Phillips, Claude 1897

  • It was always clever, but often artificial; like the composition of a Renaissance painter who inserts his _bel corpo ignudo_ to catch the eye.

    The Life of John Ruskin 1893

  • Mirami, Sposa, un poco In sulla Croce ignudo, might have been proud, or thankful, to own it.

    The Treasury of Sacred Song 1890

  • The saint or angel became an occasion for the display of physical perfection, and to introduce _un bel corpo ignudo_ into the composition was of more moment to them than to represent the macerations of the Magdalen.

    The Great Events by Famous Historians, Volume 07 John [Editor] Rudd 1885

  • The saint or angel became an occasion for the display of physical perfection, and to introduce 'un bel corpo ignudo' into the composition was of more moment to them than to represent the macerations of the Magdalen.

    Renaissance in Italy, Volume 1 (of 7) The Age of the Despots John Addington Symonds 1866

  • The artist, therefore, too easily imagines that he may neglect his theme; that a fine piece of colouring, a well-balanced composition, or, as Cellini put it, 'un bel corpo ignudo,' is enough.

    Sketches and Studies in Italy and Greece, Complete Series I, II, and III John Addington Symonds 1866

  • The artist, therefore, too easily imagines that he may neglect his theme; that a fine piece of colouring, a well-balanced composition, or, as Cellini put it, 'un bel corpo ignudo,' is enough.

    Sketches and Studies in Italy and Greece, First Series John Addington Symonds 1866

  • To draw _un bel corpo ignudo_ with freedom was now the _ne plus ultra_ of achievement.

    Renaissance in Italy Volume 3 The Fine Arts John Addington Symonds 1866

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