from The American Heritage® Dictionary of the English Language, 4th Edition
- adj. Dull, unimaginative, and commonplace.
- adj. Prim or pompous; stuffy: "Why is the middle-class so stodgy—so utterly without a sense of humor!” ( Katherine Mansfield). See Synonyms at dull.
- adj. Indigestible and starchy; heavy: stodgy food.
- adj. Solidly built; stocky.
from Wiktionary, Creative Commons Attribution/Share-Alike License
- adj. having a thick, semi-solid consistency; glutinous; heavy on the stomach.
- adj. dull, old-fashioned
from the GNU version of the Collaborative International Dictionary of English
- adj. Wet.
from The Century Dictionary and Cyclopedia
- Heavy; lumpy; distended.
- Crammed together roughly; lumpy; crude and indigestible.
- Wet; miry.
- Dull; stupid; crude; thickheaded: as, a stodgy way of looking at things.
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- adj. excessively conventional and unimaginative and hence dull
- adj. heavy and starchy and hard to digest
- adj. (used pejoratively) out of fashion; old fashioned
"You can find great opportunities in stodgy old-fashioned blue-chip stocks."
But now, fully entrenched in stodgy-hearted adulthood, I'm more inclined toward The Power of More-Than-One, especially when the goal is to make a significant difference.
It is a known quantity, even if it was known as a stodgy company for a while.
It is by no accident that the British -- whom foreigners delight to call stodgy and slow-witted, -- have produced more high-class poetry than any other nation in the history of the world.
He could eat, really eat, if it was part of a game, but he could not stodge just to feel stodgy, which is what most children like better than anything else; the next best thing being to talk about it.
At all times reverent to more than twenty years of Mario platforming, NSMB Wii never feels tired, repetitive or stodgy, which is something of an achievement unto itself.
I know I was one, but I suspect that I have grown into the kind of stodgy adult who is going to have a real problem with crackly voices, "fur, where there was no fur before" and any kind of freak-outs that involve violation, destruction of premises or partial nudity.
The difference between the good and bad movie trailers of course is whether they act as an enticing, spicy appetiser; or as the kind of stodgy nibbles that spoil your appetite for the main course.
For them, Crossfire stands out for its narrative and visual style — clearly linked to Murder, My Sweet, the original Scott-Paxton-Dmytryk noir — which for them sets Crossfire definitely apart from a "stodgy" social problem film like The Best Years of Our Lives (though Gentleman's Agreement is probably the more appropriate comparison) .1
I still have my problems with most of Wallis's Paramount filmss, most of which -- even the good ones -- seem kind of stodgy compared to what he was doing at Warners.